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September 2025

Masterclass by Apolvere (Arianna Bonacina – Martí Ramis Muñoz) 1024 691 dancecenter

Masterclass by Apolvere (Arianna Bonacina – Martí Ramis Muñoz)

Saturday September 27th, 18:00 – 20:00
Free submission

APPLICATION APPLICATION

Apply: until Friday 26 September
Monday-Friday 17:00-21:00, phone num.: +30 22810-80690

Arianna Bonacina and Martí Ramis from Apolvere will offer an open level, two hours masterclass where they will share some exercises about their own personal practice, including both technical and improvisational tools, as well as some set material. The class will be divided in two main parts. After the warmup we will lead improvisations through tasks that will be focused on the use of the space, the shift of attention from different body parts and isolations. The second part of the masterclass will be about the transmission of some set material from their practice, mainly focused on floor work and multi-dynamic exercises.

Apolvere

Apolvere is an emerging dance/performance duo created and co-directed by Arianna Bonacina and Martí Ramis Muñoz. They are coming respectively from Italy and Spain and they met in their education in Salzburg. During their staying in Austria, they started creating together after realising they shared a common vision for scenic art. Their work is centred on creating fragmented realities where detailed dynamics of human actions and interactions are analysed and portrayed through the use of different medias. They mainly treat topics that have solid connection with the socio-political context they come from. This starting point generates a base for transversal reflections as they believe that art forms are deeply interconnected with societies and politics. Their long-term goal as a duo would be to be able to bring their work in different contexts as a way to open up spaces of confronting and discussing about cultural baggage and its implications in ones’ approach to collectivity.

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    Apolvere 1024 819 dancecenter

    Apolvere

    21/09/25 – 05/10/25

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    Performing arts
    Title of the project: “Sull’uscio”
    Italy/Spain

    Description of project:
    Sull’uscio is the title of an ongoing research project by Apolvere, developed within the framework of performing arts. The collective began this exploration during a brief one-week residency in May 2025, where they initiated work on physical movement, soundscapes, musical composition, and text. Currently, in collaboration with Svesda (Santi Perez), the company is continuing its research with a two-week residency at Akropoditi Dance & Performing Arts Centre.
    At the core of this new work lies an interest in the principles of recycling, resisting, and insisting. These concepts serve as guiding coordinates across multiple layers of the process. They shape the company’s approach to movement, spoken and recorded text, and musical composition. Conceptually, they also frame the project’s engagement with the theme of resistance in the context of contemporary European politics and broader Western policy.

    Open presentation:
    Saturday October 4th 2025
    20:00, Free Entrance

    Masterclass
    Saturday September 27th 2025, 18:00 – 20:00
    Free submission

    Apolvere

    Apolvere is an emerging dance/performance duo created and co-directed by Arianna Bonacina and Martí Ramis Muñoz. They are coming respectively from Italy and Spain and they met in their education in Salzburg. During their staying in Austria, they started creating together after realising they shared a common vision for scenic art. Their work is centred on creating fragmented realities where detailed dynamics of human actions and interactions are analysed and portrayed through the use of different medias. They mainly treat topics that have solid connection with the socio-political context they come from. This starting point generates a base for transversal reflections as they believe that art forms are deeply interconnected with societies and politics. Their long-term goal as a duo would be to be able to bring their work in different contexts as a way to open up spaces of confronting and discussing about cultural baggage and its implications in ones’ approach to collectivity.