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Closing Party of the Festival – Celebration of the 10 year’s anniversary 1024 1024 akropoditi13

Closing Party of the Festival – Celebration of the 10 year’s anniversary

Closing night of the Festival, dedicated to the celebration of the 10th anniversary of Akropoditi DanceFest 2023.
Will include:
Film-tribute to the 9th Festival, enriched with interviews from the participants and contributors by Vangelis Jannis.
Dance – a way to exist
33 people of dance, talk to us about dance.

 

 

Audiovisual Material from previous festivals.
The evening will end with a party with plenty of music and dancing.
Music selections SERATONIA

Tour Offer
HISTORICAL TOUR OF THE ERMOUPOLIS TEXTILE MUSEUM
Located in a narrow street in the old industrial zone of Ermoupolis is hidden one between the 68 factories that the capital of the Cyclades had during its glorious industrial past.
It’s the “Zisimatos Bros” textile factory, remained as it was on the day it stopped its production; a unique sample of the industrial heritage of Syros.
The “Hermoupolis Heritage” is proud to help the restoration and the real resurrection of this fantastic place.
The old factory, after several years of hard works, has been restored, and actually is offered to the visitor for a short imaginary travel through the time. Passing through the old main entrance door, we can “discover” the traces of the workers life, all the commercial activities in the factory which developed, produced and manufactured material, and finally learn about the miracle of the textile industry that flourished in Ermoupolis in the end of 19th century and in the begging of the 20th century.
The learning, through reflection on doing, begins with a strange way: we enter to the factory with a lantern in hand as they did the workers, many years ago every morning in order to start their working day. The guide welcomes the visitors wearing the typical worker uniform and he makes an introduction to the past based on oral and written memories of 40 employees, till 1986, the date that the factory ceased its operation.
Then, the visitors they wear also the typical worker uniform, they fill in the work card, as the workers did in the past, and they taste the traditional workers packed lunch brought from home. During the tour, the senses are activated through the sound, as the old diesel engine in the paint shop starts to operate, they are listened to the sewing machines gasping, and they even smell everywhere the “scent” of time passed by seeing the threads “frozen” in the looms!
All the above contribute to approaching by a pleasant way history and culture through an entertaining process that ends up gathering all the “visitors-workers” around a wooden table where they taste the packed lunch made by traditional local products.

Starting time: 19:30
Duration of the tour: 60′
Book a tour: https://www.ticketservices.gr/event/hermoupolis-heritage/

NETTE – A kinesic experiment – Artemis Pyrpilis 1024 1024 akropoditi13

NETTE – A kinesic experiment – Artemis Pyrpilis

Greece

The project “ΝΕΤΤΕ: a kinesic experiment” is the result of the Artistic Residency of the photographer Artemis Pyrpili under the Artistic Residency Program of the Akropoditi Dance and Performing Arts Centre (2022-2023) with the topic: Covid-19: Our silence, our voice
It is based on the homonymous photo book of the creator.
Is an attempt to record a kinetic improvisation with a starting point and in interaction with archival images of Nette, in motion. The kinetic expression will be structured in the natural landscape of Syros (in coherence with nature as a background in the archival images) allowing any result that can arise through this internal “fermentation” of experimentation/improvisation based on the interaction with the kinetic expression of her grandmother.
The aim is to further connect the personal relationship between granddaughter and grandmother, but also to explore the broader connection between photography and dance.
The final result will be a video that includes both the archival images and the recording of the kinetic experimentation as through this it will apprehend the expression and physicality of Nette while exploring the movement through its recording.

Description:
In 2019, seven years after her grandmother’s passing, Artemis Pyrpilis went for the first time to the house where her grandmother was born and spent her childhood. Searching through the rooms, drawers and boxes she discovered previously unseen pictures of her when she was a young girl in the 40s. A dancer, a gymnast, a restless girl whom her closed ones called Nette. Who was Nette really and what was her connection to her?
Artemis Pyrpilis decided to interact with these archival images through her body.
The shared silence, from the inevitability of her death, slowly became a reason to find their common voice for all the things she did not know united them.

Credits
Montage, Production: Artemis Pyrpilis

Duration: 11 min.
Treiler:https://vimeo.com/796606180

 

 

Artemis Pyrpilis

Artemis Pyrpilis (1987) is a French-Greek photographer.
She studied photography in Paris and after working as a photographer in France, the UK, Germany and the United States she decided to return to Greece in 2013.
She has participated in various group exhibitions, at C / O Berlin in Germany, at the State Museum of Contemporary Art and at the Photobiennale in Thessaloniki, but also at the Host Gallery in London.
She has also presented her work in 2 solo exhibitions in Greece.
In September 2021, her first photo book “NETTE” was published by punto e basta editions and launched at the Polka Factory in Paris.
Today she lives in Thessaloniki where she teaches at the Stereosis School of Photography and at the MOMus-Museum of Photography of Thessaloniki while at the same time working on personal projects experimenting with various artistic fields.

Ethnofest Projections 1024 1022 akropoditi13

Ethnofest Projections

The Ethnofest – Athens Ethnographic Film Festival, held annually each November, is an international film festival showcasing humane and insightful socially-minded documentary films from around the globe. Alongside the main programme (Student Films, Panorama, Filmic Experiments), the festival includes special screenings, thematic sections, retrospectives, and has a particular orientation towards films that employ and facilitate an ethnographic approach and sensibility.
The festival, which was established in 2010 and has grown to be one of the most important and original film festivals in Greece, constitutes every year a significant international meeting place for documentary and ethnographic filmmakers. Each year, through numerous timely and lively parallel events, such as seminars, workshops, masterclasses, Q&A’s and exhibitions, the festival constitutes a major intervention in the city’s cultural and social life, as well as it contributes to international contemporary debates about the present and future of documentary film.

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Whatever Grandma Says

Three anthropologists enter Grandma’s kitchen to observe how dance moves the aging female body. Grandma Keti refuses to follow and puts on a performance — against language, age and cultural barriers — sharing life stories and love advice. This film is an ode to the magic of the encounter, the in-progress relationships, and the beauty of the fieldwork uncertainty. This film was made during the Athens Summer School in Visual Ethnographic Practices of 2022 organised by Ethnofest – Athens Ethnographic Film Festival in collaboration with the University of Amsterdam.

Jenthe Blockx is a Master’s student in Visual Culture and Film Studies at the University of Antwerp. She has conducted research on transnational, intimate relationships in times of COVID-19, for the completion of her Master’s degree in Social and Cultural anthropology at KULeuven. In future research, she is interested in further exploring visual and sensorial ethnographic practices.

Marianna Panourgia is a contemporary dancer, dance educator and ethnochoreologist based in Piraeus, Greece. She holds a Contemporary Dance Teaching Diploma and a Master of Arts in Ethnochoreology. Currently, she is a PhD candidate with focus on the ethnographic archiving oral traditions of contemporary dance whitin Higher Contemporary Dance Education in Greece.

Melia Weltzien recently obtained her Bachelor of Arts in Cultural Anthropology at VU Amsterdam. She has conducted research on representation practices and structures of exclusion in both German media and Amsterdam’s Art World. Through ethnographic filmmaking, she will continue questioning the issue of whose stories are being told and heard after all, aiming at more inclusive forms of storytelling.

Original Title: Ό,τι πει η γιαγιά
Directors: Jenthe BlockxMarianna PanourgiaMelia Weltzien
Country: Greece
Languages: EnglishGreek
Year: 2022
Subjects: AnthropologyBodyDance
Running Time: 9′
Festival: 2022
Festival Sections: Initiations: Student Films in Greece

 

Feeling from Outside

In October 2007 a group of artists of different nationalities took the initiative to set up a flamenco tablao in front of the Cathedral of Seville, claiming the street as a place of work and expression of their feelings. The street becomes their stage and the reception of the people consolidates their presence as a street flamenco group under the name “Son de Afuera”. This short documentary film bears witness, in the context of Andalusian society, to a way of feeling flamenco from “outside”.

Konstantina Bushboura (she/hers) is an independent researcher, anthropologist, filmmaker and human rights activist. Since 2007 she has been researching, directing and producing ethnographic documentaries on dance, politics and activism in Buenos Aires, Seville and Athens (Feeling from Outside, 2008, 18″, ESP / Working Dancers, 2017, 72″, ARG-GR, / 36 Months-Fighting for Zak, 2022, 12″). She is a founding member of the Buenos Aires-based educational and artistic organization ACA and coordinator of the Gender Network at the Greek Department of Amnesty International.

Direction and Research: Konstantina Bousmpoura
Script: Konstantina Bousmpoura / Antonio Rodrigo
Director of photography and editing: Antonio Rodrigo
Original music: Son de Afuera
Production: Danila Scarlino / Konstantina Bousmpoura / Antonio Rodrigo
Graphic design: Fernando Maya

Original Title: El Sentir desde Afuera
Director: Konstantina Bousmpoura
Country: Spain
Language: Spanish
Year: 2008
Subjects: ArtEuropeMusicPerformance
Running Time: 18 min.

 

AVDP 13 on TouR 2023 1024 1024 akropoditi13

AVDP 13 on TouR 2023

AVDP on TouR 

ATHENS VIDEO DANCE PROJECT (AVDP) is an initiative founded in 2010 in Athens and has been organized by the Non Profit Organisation BelleVille. AVDP offers the ground for fruitful meetings and dialogue among artists from all over the world. It enhances not only the visibility of the art of videodance, but also the diversity of new media and technologies, the art of contemporary dance and multimedia dance performances, the performance and the cinema.

For the above reasons, there are five programs that reflect the idea of AVDP: the annual AVDP Festival – International Dance Film Festival, AVDP edu – Educational Program, AVDP on TouR and AVDP in Community and AVDP tv.

AVDP Team
www.avdp.gr
athensvideodanceproject@gmail.com

AVDP Facebook
AVDP Instagram
AVDP YouTube
AVDP Vimeo

Duration: 50 min
Trailer:https://youtu.be/cXeDQe7Bfrc

 

 

EQUILUX 

Direction: Apostolos Nikolaidis
Choreography: Danae Dimitriadi, Dionysios Alamanos
Assistant Director: Aggelos Tzouanakis
Colourist: Aggelos Mantzios | METAPOST 35mm FILM PRINT: CPC LONDON
VFX: Christos Mavridis
Title Design: Komodo design studio
Rehearsal Studio: Loop Dance Lab
Production Company: Bask Films

equi- +‎ Latin lux (“light”).
A day in which the durations of light and darkness are equal.
Equilux is a lasting struggle in a continuous motion, between day and night, light and darkness, black and white to keep humanity,
nature and every form of life in balance against any form of inequality.

Muros / Walls

Father and son. Secrets unsaid and unembraced grudges separate them.
A wall that guards silences, withheld tears, glances and shy contact.
The lack of communication.
In spite of it, the desire to embrace everything because they are the same story.

España / 2022 / 10 min. / 1.85 aspect ratio / Stereo
Guión y Realización: Dani Cobarrubias y Carmen Porras
Intérpretes: Thomas Chaussebourg y Clément Chevalier
Producción: Nido Producciones
Coreografía: Carmen Porras
Director de Fotografía: Dani Cobarrubias
Ayte. de Cámara y Gaffer: Laura Dafne
Montaje: Carmela Aguilar

KATAKLIDA ( ΚΑΤΑΚΛΕΙΔΑ ) 

A group of young people that mirror today’s society come face to face with authority. Authority that seeks to silence their freedom of expression and thus awakening their most extraordinary weapon: their art.

kopitoto 

kopitoto | Japan & USA Production | 08’34”

【Awards】
2022 Lawther/Graff No Violence Award — The 60th Ann Arbor Film Festival, USA
2021 2nd Place in The Best of 2021 in the Theaters — Het Parool Amsterdam-based daily newspaper
2021 Best Short Film Award (nominated) — Cinedans FEST ’21, Netherlands
2021 Encouragement Award (nominated) — Cinedans FEST ’21, Netherlands (PREMIERE)
2020 Finalist — The 18th Annual Dance Camera West, LA, USA (work-in-progress screening)
2019 #mydancefilm Winner — The 47th Annual Dance on Camera Festival, New York, USA (work-in-progress screening)

【Synopsis】
Our planet’s majesty is both mysterious and awe-inspiring. “kopitoto” offers us a glimpse into the snowy Japanese forests and the mythical inhabitants within.

【Production Info】
Production Company: Kusanagi Sisters (facebook.com/KusanagiSisters)
Country of Origin: Japan & USA
Filming Location: Iiyama, Nagano, Japan
Directed & Written by Lisa Kusanagi
Produced by Yvonne Meier, Lisa Kusanagi
Choreographer & Cast (order of appearance): JuJu Kusanagi, Lisa Kusanagi, Yvonne Meier
Director of photography: Koichi Makino
Assistant Cameraman: Hiroyuki Azegami
Production Designer: Lisa Kusanagi
Editor: Lisa Kusanagi
Music Composer: Ran Bagno
Makeup Artists: Lisa Kusanagi, JuJu Kusanagi
Costume Designers: Kerry Chipman, Minako Kusanagi
Hair Artist: Cozy Baba
Poster Designer: Naomi Shalev
Crew: Minako Kusanagi, Shoji Kusanagi, Ken-ichi Takano, Tomonori Kobayashi, Norimitsu Koganei
Location Manager: Lisa Kusanagi
Sponsored by: Foundation for Contemporary Arts Grants to Artists Award 2018 (NYC, USA), Yume Covo Inc. (Tokyo, Japan), Nabekura Kougen Heights Mori-no-Ie (Nagano, Japan)

【Reviews】
“Kopitoto” is lighthearted and weird, invoking hidden forest creatures and the life of a wintry Japanese wood itself. It’s the unholy alliance of Willy Wonka and an ‘80s Residents video (without the menace but with 100 times the technical skill). ”
– Los Angeles Times (written by Michael Ordoña, January 8, 2020)
latimes.com/entertainment-arts/movies/story/2020-01-08/dance-camera-west-film-festival

“Bushy eyebrows, bumpy costumes, a blue-lipped winter spirit and a landscape with lots of snow. The Japanese Kusanagi Sisters, who are inspired by the French film pioneer George Méliès, among others, combine a sense of humor with an eye for detail. Thanks to Cinedans, we can enjoy their short film at home during the first lockdown. Cheerful.”
– Het Parool Amsterdam-based daily newspaper (written by Jacq Algra, December 23, 2021)
parool.nl/kunst-media/dit-was-het-beste-van-2021-in-de-theaters-volgens-de-paroolrecensenten~b21c3ab5/?fbclid=IwAR38JgERln6SfoND6SObhs7nhQSKhc1MZoqc0qJ6b6TFK28_aokmjJ7O2TE

Whole 

W-hole is a dialogue between a body, music and space through movement.
Playing on the ambiguity of the homophones “whole” and “hole”, it traces out the evanescence of the self and the effort to understand and fulfill one’s self through a journey where the imaginary and the real overlap.

Herbarium – Zielnik

The Polish Dance Theatre was founded in 1973, it is professional and autonomic collective, it’s countenance evolved from the ballet-shaped spectacle forms to contemporary genres: dance theatre, characterized by crossing over genres, as well as technical and stylistic borders, liberating itself from traditional methods of expression, leaning toward interdisciplinarity, pursuing new theatre spaces and improvisation based process of creation.

MATAKI 

Until the awakening, the Baju tribe had long forgotten this art, a form of expression that brings solace, togetherness and joy. This call re-unites the tribe as they move to rhythm, passing through space and time, following that one voice that leads them back to their purpose.

Filmed in Kaduna, Nigeria
Director: Ridwan Adeniyi Abdullateef
Choreographer: Shannon Gillen
Featuring: Mud-Art Company – Jonathan Ayuba, Sarah Christopher, Abraham Onazi, Wisdom Patrick, Nathan Emmanuel, Ochai Ogaba
Composer: Ben Vida
Cinematographer: Raymond J. Yusuff
Camera Assistant: Richman Bako
Sound Recordist: Ronald Yusuff
Script Supervisor: Richard Yusuff
Color: Will Adashek
Costume: Khadija Yunusa
Location: Ridwan Adeniyi Abdullateef
Editor/VFX: Raymond J. Yusuff
Choreographic Collaborators: Jason Cianciulli, Kiley Dolaway, Marija Obradovic
Production: Critics Company

PRODUCED BY:
Jacob Jonas The Company
Executive Producer/Creative Director: Jacob Jonas
Producers: Jill Wilson, Emma Rosenzweig-Bock,
Associate Producers: Joy Isabella Brown, Francisco Cruz, Steve Hackman, Emily Kikta, Rubberlegz, Anibal Sandoval, Mike Tyus, Peter Walker
Fashion Director: Christian Stroble

CO-PRESENTED BY:
BAM, The Harris, The Soraya, Stanford Live, Stanford Global Studies

Bboys X Ballet Variation 

Concept & Direction: Joseph Simon Camera: Conni Trommlitz & Maiko v.d. Horst
Edit: Conni Trommlitz
Bboys: Kid Colombia, Tawfiq, Conni Produced by: Dansateliers Rotterdam

This is a pilot project for a series of encounters between Ballet and other dance cultures. This is part of my larger body of work “ballet fantasies” in which I search for alternative forms and identities for ballet through intercultural dance encounters. Inspired by sociology and cultural studies, I call these spaces of encounter and mutual affect “Third culture spaces”. They are a liminal space that emerges from the interaction between the different values, aesthetics and philosophies of the cultures behind the dances.