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improvisation

Movement Waves – Vivian Triantafyllopoulou 1024 1024 akropoditi13

Movement Waves – Vivian Triantafyllopoulou

We would like to inform you that MOVEMENT WAVES – VIVIAN TRIANTAFYLLOPOULOU workshop, from today 14/7 (+the next days) will be held 18:30-20:30 due to heat. Our meeting is at 18:20 outside the Iliovasilema tavern in Galissa. Thank you!

Improvisational Movement Workshop by the sea

Movement Waves is a workshop of structured improvisational movement. By following specific tasks, we move with different qualities, speeds, and energy. Taking inspiration from the environment and the group, and power from the breathing and internal energy of the body, we create together movement that focuses on the here and now.
Building on our revitalization, our senses and their contact with the natural environment, this workshop aims to free us from psychosomatic limitations and us a give a chance for creative expression. An open space of exploration where, through instructions, everyone is free to follow their own pathway and connect with the group.
Movement waves is for any ability and age, takes place mainly in an open environment such like the sea but also in closed places, and can be accompanied by music, or just the natural sounds!

Participants comments: “Freeing, joyful, relaxing, peaceful, air, breath, summer”

Level: Open
Ages: All

Photo credit: Eleni Elfe, Konstantinos Milas

Vivian Triantafyllopoulou

Vivian Triantafyllopoulou comes from Greece and studied contemporary dance at Trinity Laban (London). She continued as a chosen member of the ‘Akram Khan Experiment’ and then joined Jasmin Vardimon 2. She has performed with Bittersuite,Vinicius Salles, Fernanda Prata, Ben Judd and Dionysios Tsaftaridis, Emily Robinson Dance, Olga Spyraki, Melanie Lomoff (Lowry and Rambert choreographic project) and others. Vivian was also a dancer and choreographer’s assistant for Hagit Yakira’s projects and a rehearsal director for Hagit’s work at Royal Albert Hall. She has also curated, choreographed, and performed for Museum of London. She works as a Dance Captain for Alleyne Dance. She has performed in theatres such as Royal Opera House, Richmix, Sadler’s Wells- Lilian Baylis, Nothern Ballet, Edinburgh Fringe and others. She passionately teaches young people, adults, and professionals. She has taught for Trinity Laban, Rambert, The Place, City Lit, Greenwich Dance, Royal Academy of Dance, NDC Wales, Dancce Athens and others. She has choreographed for many groups and commissions. She has her own company work and her pieces have been supported by Tripspace, Laban, Arts Council England, Dance Cultural Center, and others.

Tools for Dance Improvisations – Thomas Hauert 1024 1024 akropoditi13

Tools for Dance Improvisations – Thomas Hauert

Monday 17 – Friday 21: Workshop will be held at Sports Center Dimitrios Bikelas (Ir. Politechniou 72, Ermoupoli)

Every joint of our body has its range of movement and there are countless combinations possible. The body possesses a great practical knowledge, that goes way beyond what the mind’s consciousness is able to process, about its anatomy and its mechanics, their actions and reactions, and their interactions with external forces (gravity, centrifugal- and centripetal force, another body etc.).
In a progressive series of improvisational tasks with one or more partners, exchanging information sensorially, in touch or at a distance, we will take advantage of this phenomenon to create forms, rhythms, movement qualities and trajectories far more sophisticated than the ones our conscious mind could invent. We will be guided away from our habitual tracks, patterns will be distorted or overridden.
While in the first part of the day we will practice to multiply and disconnect actions within our own individual body to create a sense of polyphony within it, we will, in a second chapter of the day, improvise the composition of the movement of a group, in the attempt to create one single organism out of a group of individual bodies.
We’ll be tapping into swarm intelligence/collective intelligence, swopping constantly between leading and following or doing both at the same time, taking the responsibility to initiate as well as the responsibility to play your part in the development of other people’s proposals or of unconsciously emerging structures, keeping an overview over the group composition while assuming your role within it.
No specific background requested but people who are interested by the movement body and enjoying it.

Ages: All ages
Levels: All levels

Photo credit: Tristán Pérez-Martín, Lida Touloumakou

Thomas Hauert

Having worked as a dancer with a.o. Anne Teresa De Keersmaeker, David Zambrano and Pierre Droulers, Thomas Hauert (CH) founded his company ZOO in Brussels in 1998. Cows in Space, his first piece was immediately awarded at Rencontres de Seine-Saint-Denis/Bagnolet. The company has since created more than 20 works, which have been performed all over the world. In addition to his work for ZOO, Thomas was also commissioned to create work for other companies including Zurich Ballet, Toronto Dance Theatre, Candoco Dance Company and Ballet de Lorraine. Complementing his choreographic work, Hauert has developed an internationally recognized teaching method based on the movement research conducted with his company. He regularly teaches workshops worldwide. In 2012-13, he was a guest professor for dance and performance at Institute for Theater Studies, Freie Universität Berlin. Since 2013 he is the artistic director of the new bachelor degree in contemporary dance at the Manufacture/University of Performing Arts in Lausanne.

The Attentive Act – Clémentine Télesfort & Lisard Tranis 1024 1024 akropoditi13

The Attentive Act – Clémentine Télesfort & Lisard Tranis

Since 2017 Lisard (CAT) and Clémentine (FR) have been developing a shared practice influenced by their encounters and common experiences in leading international companies and projects such as Guy Nader & Maria Campos or Lali Ayguadé Company. From there, they began to share their practice facilitating workshops to movers and professional artists from a wide range background and are regularly invited to lead seminars in professional training institutions and programs internationally. Since 2020 they began co-creating as a company.
The workshop is aimed at people from all disciplines interested in expanding their creative tools and refining their quality of movement both improvising alone or with a partner. We invite the participants to investigate four main aspects we consider essential in our practice as artists: the sensitivity of being, control of restrictions, availability to the unknown, and creative adaptation to challenges.
The class will address movement efficiency and explore the range of creativity given by a better understanding of our movements’ physical boundaries. – Playfulness – will be the main tool for discovery and exploration both in our movement improvisations and in our interactions. We will seek greater awareness of our structure’s patterns through games tackling stability and accuracy helping our decision making both in improvisation and in partner work. We will play with the plasticity of our imagination through physical and creative challenges and use it as a source for instant composition. Training these principles will allow an articulated and expansive movement to be deployed in space.
We are keen to share tools that allow participants to investigate their original movement and challenge their practice beyond technical constraints. We are interested in the quality of the relationships we cultivate with ourselves and others, forming a sensitive and responsive body that can unleash our imagination and support our performance state.

Ages: 17+
Levels: advanced / professional

Photo credit: Maria Alzamora, Faye Tan

Supported by a grant from Acción Cultural Española (AC/E)

Lisard Tranis

Lisard Tranis studied at the Institut del Teatre de Barcelona and won first prize at the International Dance Competition, which awarded him a scholarship to the Peridance Capezio Center in New York. He later joined Verve, a graduate of the Northern School of Contemporary Dance in England where he received the Outstanding Postgraduate Achievement Award. Lisard has worked and performed internationally with companies such as Guy Nader & Maria Campos, Lali Ayguadé Company, Phoenix Dance Theater, Hagit Yakira Dance, James Wilton Dance and José Besprosvany, among others. Lisard also teaches at various festivals and centers around the world and has a keen interest in continuing to develop his own language as a choreographer.

Clémentine Télesfort

Clémentine Telesfort is an award-winning dancer who performs and teaches internationally. Trained at TrinityLaban in London and later at the Verve Company of the Northern School of Contemporary Dance in Leeds, she has worked with companies such as Guy Nader and Maria Campos Company, Lali Ayguadé Company, Anton Lachky, Jamaal Burkmar and Gecko in England. Alongside acting, Clémentine has been developing her own choreographic language over the years and her works have been performed at various festivals throughout Europe. Since 2015 she has been invited to teach at different festivals and institutions. He also continues to train in different disciplines such as physical theatre and clown, contact-Improvisation or studying somatic practices and martial arts such as Systema (Russian Martial Art) and Play-fight with Bruno Caverna. In 2019 she curated and directed the first edition of an International Rural Cultural Festival, the PinkHouse Festival in the north of France.

A Performer’s Craft – Maria Doulgeri 1024 1024 akropoditi13

A Performer’s Craft – Maria Doulgeri

In this workshop we are focusing on the performance and the creative process. The main goal is to discover the performer’s craft and to practice the action of creation. We look into ways to move, create and express with consciousness, with our full capacity and by using all our expressive tools. We set off with tasks and exercises about preparation, awakening and dedication. Then, through improvisation, we explore the space, the time, the rhythm, the volume and the layers for building a character or a physical state. This is a workshop where the performer seeks to learn, to reconsider and to enrich his own unique way of approaching their performance. The performer learns how to find and enter into his own cycle of supply where their inner workings and the outside stimuli interact constantly providing a continuous flow of creation.

Ages: 16+
Levels: People with previous experience in movement, students or professionals

* Please bring your light sneakers for this workshop

Photo credit:

Maria Doulgeri

Maria was born and raised in Chalkidiki. She studied dance at the Greek National School of Dance where she graduated with distinction. She continued her journey in England where she collaborated with the choreographer Jasmin Vardimon for the productions ‘Yesterday’, ‘Park’, ‘Maze’ and ‘Pinocchio’ as ‘Pinocchio’. She has joined companies such as Jukstapoz as an assistant choreographer while developing her own work with presence in Greece, England and Cyprus. She is delivering classes and the workshop titled ‘A Performer’s Craft’ at universities, dance studios and festivals in Europe.

Floating – Giovanni Leone and Vittoria Franchina 1024 1024 akropoditi13

Floating – Giovanni Leone and Vittoria Franchina

Our main interest lies in the possibility to develop a full body awareness.
Through exercises and research tasks, we would like to study the mechanics of our organism to create a movement that can constantly transform itself.
The workshop will focus on the study of weight, the isolation of body parts and some floorwork, along with improvisation and partnering sections.

Ages: 16+
Levels: Intermediate

Photo credit: J. Ronzoni Giulia Menti

With the support of

Vittoria Franchina

Born in Milan in 1994, she trained professionally at the Susanna Beltrami / Dancehaus Academy. She danced in productions by Susanna Beltrami, Matteo Bittante, Virginia Spallarossa and Diego Tortelli. She is currently a dancer with the Déjà Donné Company and collaborates with the National Dance Foundation / Aterballetto.

Giovanni Leone

Born in Borgosesia in 1995, he trained as a dancer at the Susanna Beltrami / Dancehaus academy in the three-year period 2015-2018. He is an interpreter for Esklan Art’s Factory by Erika Silgoner, Mk by Michele di Stefano and for the company Déjà Donné. He has also worked with various choreographers, including Ariella Vidach, Laura Guidetti (Sanpapiè Company), Matteo Bittante and Diego Tortelli.

Tools for Dance Improvisations – Thomas Hauert 1024 1024 akropoditi13

Tools for Dance Improvisations – Thomas Hauert

Every joint of our body has its range of movement and there are countless combinations possible. The body possesses a great practical knowledge, that goes way beyond what the mind’s consciousness is able to process, about its anatomy and its mechanics, their actions and reactions, and their interactions with external forces (gravity, centrifugal- and centripetal force, another body etc.).
In a progressive series of improvisational tasks with one or more partners, exchanging information sensorially, in touch or at a distance, we will take advantage of this phenomenon to create forms, rhythms, movement qualities and trajectories far more sophisticated than the ones our conscious mind could invent. We will be guided away from our habitual tracks, patterns will be distorted or overridden.
While in the first part of the day we will practice to multiply and disconnect actions within our own individual body to create a sense of polyphony within it, we will, in a second chapter of the day, improvise the composition of the movement of a group, in the attempt to create one single organism out of a group of individual bodies.
We’ll be tapping into swarm intelligence/collective intelligence, swopping constantly between leading and following or doing both at the same time, taking the responsibility to initiate as well as the responsibility to play your part in the development of other people’s proposals or of unconsciously emerging structures, keeping an overview over the group composition while assuming your role within it.
No specific background requested but people who are interested by the movement body and enjoying it.

Ages: All ages
Levels: All levels

Photo credit: Dominique Libert, Tristán Pérez-Martín

 

Thomas Hauert

Having worked as a dancer with a.o. Anne Teresa De Keersmaeker, David Zambrano and Pierre Droulers, Thomas Hauert (CH) founded his company ZOO in Brussels in 1998. Cows in Space, his first piece was immediately awarded at Rencontres de Seine-Saint-Denis/Bagnolet. The company has since created more than 20 works, which have been performed all over the world. In addition to his work for ZOO, Thomas was also commissioned to create work for other companies including Zurich Ballet, Toronto Dance Theatre, Candoco Dance Company and Ballet de Lorraine. Complementing his choreographic work, Hauert has developed an internationally recognized teaching method based on the movement research conducted with his company. He regularly teaches workshops worldwide. In 2012-13, he was a guest professor for dance and performance at Institute for Theater Studies, Freie Universität Berlin. Since 2013 he is the artistic director of the new bachelor degree in contemporary dance at the Manufacture/University of Performing Arts in Lausanne.

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