{"id":20250,"date":"2025-04-16T17:17:34","date_gmt":"2025-04-16T14:17:34","guid":{"rendered":"https:\/\/akropoditi.com\/dancefest\/?post_type=mec-events&#038;p=20250"},"modified":"2025-07-02T10:21:36","modified_gmt":"2025-07-02T07:21:36","slug":"angeliaforos-akropoditi-dancetheatre","status":"publish","type":"mec-events","link":"https:\/\/akropoditi.com\/dancefest\/en\/events\/angeliaforos-akropoditi-dancetheatre\/","title":{"rendered":"angeliaf\u00f3ros &#8211; Akropoditi Dancetheatre"},"content":{"rendered":"<p style=\"text-align: justify;\"><strong>Greece<\/strong><\/p>\n<blockquote><p><strong>The performance on 14\/7 will be followed by an open discussion with the audience.<\/strong><\/p><\/blockquote>\n<p style=\"text-align: justify;\"><span style=\"font-family: inherit; font-size: inherit; font-style: inherit; font-variant-ligatures: inherit; font-variant-caps: inherit; font-weight: inherit;\"><em>After the end of a battle, a group of survivors returns to their homeland, burdened with the task of announcing what they have witnessed and endured. Their journey spans an entire night of marching, exhaustion, reflection, inner monologue, intentions, attempts, and questionings\u2014regarding both the message they must deliver and the way in which it should be announced.<\/em><br \/>\n<em>Their speech, initially resembling that of a war messenger\u2014bearing news of defeat and destruction\u2014gradually becomes distorted, blending with the content of their announcements, truth and falsehood intertwining, and their very identities dissolving.<\/em><br \/>\n<em>The site of the announcement becomes a new battlefield where past and present meet and clash. Through this confrontation, the messengers take on shifting roles: at times, they are soldiers, at others, agents of power, angels, or birds.<\/em><br \/>\n<em>The announcement itself shifts between past and present, moving through crimes, wars, uncanny acts, curses, punishments, and misinterpreted truths. Eventually, it reaches the future as prophecy, articulating destiny in an incomprehensible language. Likewise, those delivering the message transform into messengers of ancient tragedies, modern journalists, and ultimately, prophets.<\/em><\/span><\/p>\n<p style=\"text-align: justify;\">The piece explores the concept and significance of the announcement \u2014 from the universally resonant and weighty speeches of messengers in ancient Greek tragedy, to the sensationalism, exaggeration, and indiscretion of contemporary journalistic discourse, and beyond human language, to the mysterious and incomprehensible voices of prophets and angels.<\/p>\n<p style=\"text-align: justify;\"><strong>Credits<\/strong><br \/>\n<strong>Concept, direction, choreography:<\/strong> Angeliki Sigourou<br \/>\n<strong>Choreographer\u2019s\/director\u2019s assistant:<\/strong> Dimitris Baltas<br \/>\n<strong>Performers:<\/strong> Angeliki Aggeletaki, Evi Aresti, Timothy Ashplant, Dimitris Baltas, Antigoni Choundri, Josephine Gray, Afedia Kanellopoulou, Ariadni Kitsou, Christos Kollias, Sofia Koktsidou, Xeni Kottaki, Manti Papandreou, Vivi Sklia, Anmar Taha, Konstantina Thanasouli<br \/>\n<strong>Music and sound design:<\/strong> Fotis Mylonas<br \/>\n<strong>Set design:<\/strong> Akropoditi Dancetheatre<br \/>\n<strong>Costumes:<\/strong> Matina Megla<br \/>\n<strong>Sketch:<\/strong> Evi Aresti<br \/>\n<strong>Graphic design, program and poster design:<\/strong> Vivi Sklia<br \/>\n<strong data-olk-copy-source=\"MessageBody\">Texts:<\/strong>\u00a0Adapted excerpts from monologues of ancient Greek tragedies, excerpts of headlines and news articles, passages from prophetic texts of the Old Testament (Daniel), the New Testament (Revelation) and the Quran (chapter 56), references to the book\u00a0<em>Fractured Loyalties\u00a0<\/em>(Ashplant, Timothy 2007), and texts composed by the company.<br \/>\n<strong>Adaptation of ancient Greek tragedies:<\/strong> Angeliki Sigourou, Timothy Ashplant, Christos Kollias<\/p>\n<p style=\"text-align: justify;\"><strong>Duration:<\/strong> 70 min.<br \/>\n<strong>Trailer: <\/strong><a href=\"https:\/\/vimeo.com\/1089992293\" target=\"_blank\" rel=\"noopener\">https:\/\/vimeo.com\/1089992293<\/a>,\u00a0 <a href=\"https:\/\/vimeo.com\/1098097081\">https:\/\/vimeo.com\/1098097081<\/a><\/p>\n<div data-mode=\"normal\" data-oembed=\"1\" data-provider=\"vimeo\" id=\"arve-vimeo-1098097081\" style=\"max-width:400px;\" class=\"arve aligncenter\">\n<div class=\"arve-inner\">\n<div style=\"aspect-ratio:135\/76\" class=\"arve-embed arve-embed--has-aspect-ratio\">\n<div class=\"arve-ar\" style=\"padding-top:56.296296%\"><\/div>\n<p>\t\t\t<iframe allow=\"accelerometer &apos;none&apos;;autoplay;bluetooth &apos;none&apos;;browsing-topics &apos;none&apos;;camera &apos;none&apos;;clipboard-read &apos;none&apos;;clipboard-write;display-capture &apos;none&apos;;encrypted-media &apos;none&apos;;gamepad &apos;none&apos;;geolocation &apos;none&apos;;gyroscope &apos;none&apos;;hid &apos;none&apos;;identity-credentials-get &apos;none&apos;;idle-detection 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allow-popups-to-escape-sandbox allow-forms\" scrolling=\"no\" src=\"https:\/\/player.vimeo.com\/video\/1098097081?dnt=1&#038;app_id=122963&#038;transparent=0&#038;title=1&#038;byline=0&#038;portrait=0&#038;autoplay=1\" title=\"\" width=\"400\"><\/iframe><\/p><\/div><\/div>\n<p>\t<script type=\"application\/ld+json\">{\"@context\":\"http:\\\/\\\/schema.org\\\/\",\"@id\":\"https:\\\/\\\/akropoditi.com\\\/dancefest\\\/en\\\/events\\\/angeliaforos-akropoditi-dancetheatre\\\/#arve-vimeo-1098097081\",\"type\":\"VideoObject\",\"embedURL\":\"https:\\\/\\\/player.vimeo.com\\\/video\\\/1098097081?dnt=1&app_id=122963&transparent=0&title=1&byline=0&portrait=0&autoplay=1\"}<\/script><\/p>\n<\/div>\n<div data-mode=\"normal\" data-oembed=\"1\" data-provider=\"vimeo\" id=\"arve-vimeo-1089992293\" style=\"max-width:400px;\" class=\"arve aligncenter\">\n<div class=\"arve-inner\">\n<div style=\"aspect-ratio:135\/76\" class=\"arve-embed arve-embed--has-aspect-ratio\">\n<div class=\"arve-ar\" style=\"padding-top:56.296296%\"><\/div>\n<p>\t\t\t<iframe allow=\"accelerometer &apos;none&apos;;autoplay &apos;none&apos;;bluetooth &apos;none&apos;;browsing-topics &apos;none&apos;;camera &apos;none&apos;;clipboard-read &apos;none&apos;;clipboard-write;display-capture &apos;none&apos;;encrypted-media &apos;none&apos;;gamepad &apos;none&apos;;geolocation &apos;none&apos;;gyroscope &apos;none&apos;;hid &apos;none&apos;;identity-credentials-get &apos;none&apos;;idle-detection &apos;none&apos;;keyboard-map &apos;none&apos;;local-fonts;magnetometer &apos;none&apos;;microphone &apos;none&apos;;midi &apos;none&apos;;otp-credentials &apos;none&apos;;payment &apos;none&apos;;picture-in-picture;publickey-credentials-create &apos;none&apos;;publickey-credentials-get &apos;none&apos;;screen-wake-lock &apos;none&apos;;serial &apos;none&apos;;summarizer &apos;none&apos;;sync-xhr;usb &apos;none&apos;;web-share;window-management &apos;none&apos;;xr-spatial-tracking &apos;none&apos;;\" allowfullscreen=\"\" class=\"arve-iframe fitvidsignore\" credentialless data-arve=\"arve-vimeo-1089992293\" data-lenis-prevent=\"\" data-src-no-ap=\"https:\/\/player.vimeo.com\/video\/1089992293?dnt=1&amp;app_id=122963&amp;transparent=0&amp;title=1&amp;byline=0&amp;portrait=0&amp;autoplay=0\" frameborder=\"0\" height=\"225.18518518519\" loading=\"lazy\" name=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" sandbox=\"allow-scripts allow-same-origin allow-presentation allow-popups allow-popups-to-escape-sandbox allow-forms\" scrolling=\"no\" src=\"https:\/\/player.vimeo.com\/video\/1089992293?dnt=1&#038;app_id=122963&#038;transparent=0&#038;title=1&#038;byline=0&#038;portrait=0&#038;autoplay=0\" title=\"\" width=\"400\"><\/iframe><\/p><\/div><\/div>\n<p>\t<script type=\"application\/ld+json\">{\"@context\":\"http:\\\/\\\/schema.org\\\/\",\"@id\":\"https:\\\/\\\/akropoditi.com\\\/dancefest\\\/en\\\/events\\\/angeliaforos-akropoditi-dancetheatre\\\/#arve-vimeo-1089992293\",\"type\":\"VideoObject\",\"embedURL\":\"https:\\\/\\\/player.vimeo.com\\\/video\\\/1089992293?dnt=1&app_id=122963&transparent=0&title=1&byline=0&portrait=0&autoplay=0\"}<\/script><\/p>\n<\/div>\n<p><strong><br \/>\n5, 6, 12, 13 July<\/strong>, arriving time 05:30 (in the morning)<br \/>\n<strong>7, 14 July<\/strong>, arriving time 19:30 (in the evening)<\/p>\n<p style=\"text-align: justify;\">The performance is a collaboration between <a href=\"https:\/\/akropoditi.com\/dancetheatre\" target=\"_blank\" rel=\"noopener\">Akropoditi Dancetheatre<\/a>, historian and writer Timothy Ashplant, and the company <a href=\"https:\/\/www.i-bodies.com\" target=\"_blank\" rel=\"noopener\">ibodies<\/a>.<\/p>\n<h3 style=\"text-align: justify;\">Akropoditi Dancetheatre<\/h3>\n<p style=\"text-align: justify;\">The Akropoditi Dancetheatre was founded on the island of Syros in 2004 by <a href=\"https:\/\/akropoditi.com\/dancetheatre\/en\/company-en\/\" target=\"_blank\" rel=\"noopener\">Angeliki Sigourou<\/a>. Since its inception, the company has remained a diverse ensemble, featuring dancers and actors from Greece and abroad, as well as community artists from various disciplines.<br \/>\nAmong other works, the company has produced the following pieces to date: Glossa (2018), Medusa (2014, 2017), Punishment (2017), Sebastian (2013, 2015), Prayer in 7 Parts (2012).<br \/>\n<a href=\"https:\/\/akropoditi.com\/dancetheatre\" target=\"_blank\" rel=\"noopener\">akropoditi.com\/dancetheatre<\/a><\/p>\n<h3 style=\"text-align: justify;\">ibodies company<\/h3>\n<p style=\"text-align: justify;\">The impetus for the work of ibodies is based on the fundamental insight that theatre \u2013 as an arena in which performance takes place \u2013 demands a unique and radical language that is <em>useless\u00a0<\/em>and in the\u00a0<em>disservice\u00a0<\/em>of any agenda other than its own primacy as a form of language. As such, the poetics of awareness is an absolute given in their continued search for a radical scenic language.<br \/>\nibodies are based in Gothenburg, Sweden, led by Anmar Taha and Josephine Gray.\u00a0Their work has been presented at venues and festivals across Europe, Middle East, North Africa and Asia.<br \/>\n<a href=\"https:\/\/www.i-bodies.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">www.i-bodies.com<\/a><\/p>\n<h3 style=\"text-align: justify;\">Timothy G. Ashplant<\/h3>\n<p style=\"text-align: justify;\">Timothy Ashplant is historian and writer. He taught for 25 years at Liverpool John Moores University, ending his career as Professor of Social and Cultural History. Since 2013, he has been a Visiting Professor at King&#8217;s College London, attached to the Centre for Life-Writing Research.\u00a0\u00a0His research has focussed on the use of life stories by ordinary (non-elite) people to defend their interests and promote their claims for social justice.<br \/>\nHis book\u00a0<em>Fractured Loyalties: Masculinity, Class and Politics in Britain, 1900-30\u00a0<\/em>(2007) examined how men who fought on the Western Front in the First World War tried, through poetry and autobiography, to grasp the enormity of the war, which had fractured the religious and political values in which they had been brought up.\u00a0\u00a0They became messengers to their society, struggling to put into words their \u2013 sometimes revelatory, sometimes traumatic \u2013 experience of industrialised warfare.\u00a0He has also had a long involvement with photography. In the 1980s, he was a member of a community arts group in Oxford, for which he took part in several photo projects.\u00a0\u00a0In the 1990s, he was one of the directors of\u00a0\u00a0<em>Oxford Photography,<\/em>\u00a0an Arts Council-funded organisation which promoted photography in the Oxford region by organising exhibitions and lecture series.\u00a0\u00a0He also contributed, through one-person and group photo shows, to the annual\u00a0<em>Oxford Artweeks<\/em>\u00a0festivals.\u00a0\u00a0In 2018, with the support of the Municipality of Syros-Hermoupolis and the Syros Photographic &amp; Film Club, he held a one-person show, &#8220;\u03a3\u03cd\u03c1\u03bf\u03c2 &#8211; \u0395\u03c1\u03bc\u03bf\u03cd\u03c0\u03bf\u03bb\u03b7, \u03b7 \u03bc\u03b1\u03c4\u03b9\u03ac \u03b5\u03bd\u03cc\u03c2 \u03b5\u03c0\u03b9\u03c3\u03ba\u03ad\u03c0\u03c4\u03b7 2009-2017&#8221;.<br \/>\nSince 2014, he has attended Akropoditi DanceFest and taken part in dance and dance-improvisation workshops.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Greece The performance on 14\/7 will be followed by an open discussion with the audience. After the end of a battle, a group of survivors returns to their homeland, burdened with the task of announcing what they have witnessed and endured. Their journey spans an entire night of marching, exhaustion, reflection, inner monologue, intentions, attempts, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":20278,"comment_status":"closed","ping_status":"closed","template":"","tags":[250,733,258],"mec_category":[222],"class_list":["post-20250","mec-events","type-mec-events","status-publish","has-post-thumbnail","hentry","tag-contemporary-dance","tag-dancetheatre","tag-theatre","mec_category-events"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>angeliaf\u00f3ros - Akropoditi Dancetheatre - Akropoditi Dancefest<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/akropoditi.com\/dancefest\/en\/events\/angeliaforos-akropoditi-dancetheatre\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"angeliaf\u00f3ros - Akropoditi Dancetheatre - Akropoditi Dancefest\" \/>\n<meta property=\"og:description\" content=\"Greece The performance on 14\/7 will be followed by an open discussion with the audience. 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