{"id":18853,"date":"2023-04-11T16:18:48","date_gmt":"2023-04-11T13:18:48","guid":{"rendered":"https:\/\/akropoditi.com\/dancefest\/?post_type=mec-events&#038;p=18853"},"modified":"2023-07-07T17:40:17","modified_gmt":"2023-07-07T14:40:17","slug":"oblivion-silvia-batet-dance-company-2","status":"publish","type":"mec-events","link":"https:\/\/akropoditi.com\/dancefest\/en\/events\/oblivion-silvia-batet-dance-company-2\/","title":{"rendered":"OBLIVION &#8211; Silvia Batet Dance Company"},"content":{"rendered":"<p style=\"text-align: justify;\"><strong>Spain<\/strong><\/p>\n<p style=\"text-align: justify;\">OBLIVION is a word that implies &#8220;to be forgotten&#8221;, but that can also be related to the idea of amnesty or forgiveness; it is a place of transformation between mourning and emptiness, between nothingness and memory. Based in a dreamlike world made of fantasy and surrealism, OBLIVION could be an image of afterlife, such as Dante describes it in The Divine Comedy: a space conditioned by the idea of the circle, by the eternal wandering of bodies through space; as if in the act of moving through space there was ultimately an act of surrender, a renunciation of everything that binds us to suffering: desire, memories, identity. \u201cVacare\u201d in Latin, means to wander, to float; but it also means &#8220;to be empty&#8221;. OBLIVION is a a path that becomes easier to walk everytime, a dance of increasing entropy. After all, what is beyond, and oblivion could easily be the same thing.<\/p>\n<p style=\"text-align: justify;\"><strong>Credits<\/strong><br \/>\n<strong>Original idea, direction and choreography:<\/strong> Silvia Batet<br \/>\n<strong>Performance:<\/strong> Marta Garc\u00eda, Cristina Reolid, Raquel Romero, Anna Serra and Pere Seda<br \/>\n<strong>Music:<\/strong> Sergi Puig<br \/>\n<strong>Music editor:<\/strong> Jose Gonz\u00e1lez<br \/>\n<strong>Stage and lighting design:<\/strong> Carles Borr\u00e0s and Sergio Roca<br \/>\n<strong>Costume design:<\/strong> Marta Mas Soldevila \/ Skirts making: Anna Whirling<br \/>\n<strong>Production:<\/strong> Muntsa Roca, Rita Stivala \u2013 Anast\u00e0tica<br \/>\n<strong>Distribution:<\/strong> LANIU<br \/>\n<strong>External perspective:<\/strong> Anna Rubirola<br \/>\n<strong>Video and photography:<\/strong> Mila \u00c9rcoli<\/p>\n<p style=\"text-align: justify;\"><em>The performance was premiered 29th and 30th of July in Festival Grec 2021 (Mercat de les Flors, Barcelona). It has since then been danced in La Nave del Duende (C\u00e1ceres). It will be during 2021 in Istanbul Fringe Festival (Istanbul) and Prospettiva Danza Teatro (Padua, Italy).<\/em><\/p>\n<p style=\"text-align: justify;\"><strong>Duration:<\/strong> 45 min.<br \/>\n<strong>Trailer:<\/strong> <a href=\"https:\/\/www.youtube.com\/watch?v=3ku48ItZTWA\">https:\/\/www.youtube.com\/watch?v=3ku48ItZTWA<\/a><\/p>\n<div data-mode=\"normal\" data-oembed=\"1\" data-provider=\"youtube\" id=\"arve-youtube-3ku48itztwa\" style=\"max-width:400px;\" class=\"arve aligncenter\">\n<div class=\"arve-inner\">\n<div style=\"aspect-ratio:135\/76\" class=\"arve-embed arve-embed--has-aspect-ratio\">\n<div class=\"arve-ar\" style=\"padding-top:56.296296%\"><\/div>\n<p>\t\t\t<iframe allow=\"accelerometer &apos;none&apos;;autoplay;bluetooth &apos;none&apos;;browsing-topics &apos;none&apos;;camera &apos;none&apos;;clipboard-read &apos;none&apos;;clipboard-write;display-capture &apos;none&apos;;encrypted-media &apos;none&apos;;gamepad &apos;none&apos;;geolocation &apos;none&apos;;gyroscope &apos;none&apos;;hid &apos;none&apos;;identity-credentials-get &apos;none&apos;;idle-detection &apos;none&apos;;keyboard-map &apos;none&apos;;local-fonts;magnetometer &apos;none&apos;;microphone &apos;none&apos;;midi &apos;none&apos;;otp-credentials &apos;none&apos;;payment &apos;none&apos;;picture-in-picture;publickey-credentials-create &apos;none&apos;;publickey-credentials-get &apos;none&apos;;screen-wake-lock &apos;none&apos;;serial &apos;none&apos;;summarizer &apos;none&apos;;sync-xhr;usb &apos;none&apos;;web-share;window-management &apos;none&apos;;xr-spatial-tracking &apos;none&apos;;\" allowfullscreen=\"\" class=\"arve-iframe fitvidsignore\" credentialless data-arve=\"arve-youtube-3ku48itztwa\" data-lenis-prevent=\"\" data-src-no-ap=\"https:\/\/www.youtube-nocookie.com\/embed\/3ku48ItZTWA?feature=oembed&amp;iv_load_policy=3&amp;modestbranding=1&amp;rel=0&amp;autohide=1&amp;playsinline=0&amp;autoplay=0\" frameborder=\"0\" height=\"225.18518518519\" loading=\"lazy\" name=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" sandbox=\"allow-scripts allow-same-origin allow-presentation allow-popups allow-popups-to-escape-sandbox\" scrolling=\"no\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/3ku48ItZTWA?feature=oembed&#038;iv_load_policy=3&#038;modestbranding=1&#038;rel=0&#038;autohide=1&#038;playsinline=0&#038;autoplay=1\" title=\"\" width=\"400\"><\/iframe><\/p><\/div><\/div>\n<p>\t<script type=\"application\/ld+json\">{\"@context\":\"http:\\\/\\\/schema.org\\\/\",\"@id\":\"https:\\\/\\\/akropoditi.com\\\/dancefest\\\/en\\\/events\\\/oblivion-silvia-batet-dance-company-2\\\/#arve-youtube-3ku48itztwa\",\"type\":\"VideoObject\",\"embedURL\":\"https:\\\/\\\/www.youtube-nocookie.com\\\/embed\\\/3ku48ItZTWA?feature=oembed&iv_load_policy=3&modestbranding=1&rel=0&autohide=1&playsinline=0&autoplay=1\"}<\/script><\/p>\n<\/div>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify;\">\n\t\t\t<!-- START oblivion REVOLUTION SLIDER 6.7.25 --><p class=\"rs-p-wp-fix\"><\/p>\n\t\t\t<rs-module-wrap id=\"rev_slider_56_1_wrapper\" data-source=\"gallery\" style=\"visibility:hidden;background:transparent;padding:0;margin:0px auto;margin-top:0;margin-bottom:0;max-width:750px;\">\n\t\t\t\t<rs-module id=\"rev_slider_56_1\" style=\"\" data-version=\"6.7.25\">\n\t\t\t\t\t<rs-slides style=\"overflow: hidden; 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The company started working professionally on 2017 andhas since then presented four dance pieces (\u201cThe Double H\u00e9lix\u201d, \u201cPas de Carla, Iris, Raquel y Goretti\u201d, \u201cR\u00e9quiem\u201d and \u201cOBLIVION\u201d) and has won in 2020 the important Choreographic Award \u201cPremi deDansa de l\u2019Institut del Teatre 2020\u201d. The company has participated in numerous spanish nationalfestivals: RussafaEsc\u00e8nica (Valencia), EllasCrean (Madrid), QuinzenaMetropolitana de Dansa (Barcelona), and is currently in the process of internationalization, participating during 2021 inFlorence Dance Festival (Florence), Istanbul Fringe Festival (Istanbul), Prospettiva Danza Teatro (Padua)or Quinzena de Dansa de Almada (Portugal). The dance language of the company is characterized bythe formal simplicity and the structural complexity of the creations.<br \/>\nLinks to the work and information on: <a href=\"http:\/\/www.silviabatet.com\">www.silviabatet.com<\/a><\/p>\n<h3 style=\"text-align: justify;\">Silvia Batet<\/h3>\n<p style=\"text-align: justify;\">Training And Studies<br \/>\n-Graduated in the Professional Degree in Classical Dance by the Conservatory of Valencia (2006-2013).<br \/>\n-University Degree in Dance and and Choreography at Institut del Teatre, in Barcelona.<br \/>\n-Training in urban dances in many schools, such as Pinneapple in London, Broadway Dance Centerin New York, Tribu Urbana, The Urban Dance Factory, Company &amp; Company in Barcelona.<br \/>\n-Classical and contemporary dance training in schools such as Royal Academy of Dance in London,The Joffrey Ballet School in New York, Steps on Broadway in New York, Corella Dance Academy andInstitut del Teatre in Barcelona.<br \/>\nProfessional experience<br \/>\n-Winner of the Premi de Dansa de l\u2019Institut del Teatre 2020 Award with OBLIVION, premiered in Mercat deles Flors and finalist of the 34th Madrid Choreographic Contest. OBLIVION was premiered as a full lengthperformance in Festival Grec 2021, and has also been danced in EllasCrean (Madrid), SAT! Teatre<br \/>\n(QuincenaMetropolitana de Dansa, Barcelona), L\u2019Estruch (Sabadell), Florence Dance Festival, HannoverChoreography Competition, Istanbul Fringe Festival and Premio Prospettiva Danza Teatro (Padua).<br \/>\n-Choreographer of R\u00e9quiem (2020), premiered in TeatreEstudi in Barcelona, and performed full length inRussafaEsc\u00e8nica 2020 (Valencia) and Quinzena de Dan\u00e7a de Almada (Portugal).<br \/>\n-Resident in several choreographic centers such as La Roca Umbert (Granollers, 2021), L\u2019Estruch(Sabadell, 2021), La Visiva (2020) and Centre de creaci\u00f3 La Caldera (2019).<br \/>\n-Choreographer of Pas de Carla, Iris, Cristina y Maria (2018) premiered in TeatreOvidiMontllor, andperformed in IF festival Barcelona 2018, and in the 32nd Madrid Choreographic Contest.<br \/>\n-Choreographer of La doble h\u00e9lice (2017) performed in TeatreOvidiMontllor (Barcelona), L\u2019estaci\u00f3Esc\u00e8nika (Barcelona), GraciasxFavor (Santander), and awarded with a danceWEB scholarship forImpulsTanzViena in the 31st Madrid Choreographic Contest.<br \/>\n-Dancer in \u201cDe San Vito\u201d, by the Catalan choreographer Andr\u00e9s Corchero (2019).<br \/>\n-Dancer in \u201cHalab\u201d, by the choreographer Sol Pic\u00f3, danced in Sism\u00f2graf (2017).<br \/>\n-Dancer in the Samson et Dalila opera by the company La FuradelsBaus, in the Palau de les Arts ReinaSofia in Valencia (2016).<\/p>\n<h3 style=\"text-align: justify;\">Raquel Romero<\/h3>\n<p style=\"text-align: justify;\">Raquel Romero studied dance at the Professional Dance Conservatory of A Coru\u00f1a and obtained the University Degree at the Institut del Teatre, in Barcelona. She has worked for choreographers such as Sol Pic\u00f3, Lorena Nogal, Joan Catal\u00e0 and Irene Garc\u00eda La Quebr\u00e1, participating in numerous national dance festivals.<\/p>\n<h3 style=\"text-align: justify;\">Marta Garc\u00eda<\/h3>\n<p style=\"text-align: justify;\">Marta Garc\u00eda studied dance at the Professional Conservatory in Seville and obtained the University Degree at Institut del Teatre, in Barcelona. She has worked in different operas (Orfeo and Eur\u00eddice, Dido and Eneas), participated in various national dance festivals (Coreofest, Burgos-New York, Sism\u00f2graf, Sabadell Choreographic Contest). She has worked for choreographers such as Lorena Nogal, Roser L\u00f3pez Espinosa, Guy Nader and Mar\u00eda Campos.<\/p>\n<h3 style=\"text-align: justify;\">Anna Serra<\/h3>\n<p style=\"text-align: justify;\">Anna Serra studied at the NOD program in Turin, and became part of the junior company COBOSMIKA, directed by Olga Cobos and Peter Mika. She was also a dancer in FRE3 BODIES, postgraduate company directed by Nicol\u00e1s Richini and Nadine Gerspacher (Barcelona). She has performed at festivals such as MAC Festival, Primavera Sound, Danseu Festival with Marina Mascarell, and The Soldier\u2019s Tale with Ferran Carvajal. She is currently working in a new creation for Teatro Real, in Madrid.<\/p>\n<h3 style=\"text-align: justify;\">Pere Seda<\/h3>\n<p style=\"text-align: justify;\">Pere Seda studied at the Professional Dance Conservatory of Institut del Teatre, in Barcelona and was part of the junior company COBOSMIKA. He has performed in different operas and has worked for choreographers such as Antonio Ruz. He is dancer and choreographer for the catalan traditional dance company EsbartMaragall.<\/p>\n<h3 style=\"text-align: justify;\">Agn\u00e8s Balfeg\u00f3<\/h3>\n<p style=\"text-align: justify;\">Agn\u00e8s Balfeg\u00f3 finished her studies at the Institute of the Arts Barcelona in 2018 with a Higher Degree in Dance. Since 2019 she has been a dancer with the Jes\u00fas Rubio Gamo company in the piece &#8220;Gran Bolero&#8221; (Max Award 2020). She has also worked in productions with Poliana Lima, Roberto Olivan, Teatro del Temple, Colectivo La Imperfecta, Anna Kathalin Nemeth, Luiz Fernando Bongiovanni and Ana Leitao, Valleto Company. As a creator, her solo EIXOS &#8217;21 stands out, premiered and awarded by the jury at the 15m2 Festival. Her interest in exploring voice and singing led her to join the choral singing group &#8220;Fures in Nocte&#8221; with which she is collaborating currently, in addition to a solo musical project produced by &#8220;The Perimetrals&#8221;.<\/p>\n<h3 style=\"text-align: justify;\">Sergi Puig<\/h3>\n<p style=\"text-align: justify;\">Sergi Puig studied the Degree in Composition and Musical Theory at the Conservatory of the Liceu Theater. Currently pursuing a Master in Composition at Kunstuniversit\u00e4t Graz (Graz). He was awarded the ANON composition award for Plural Ensemble. More than 12 original works premiered in the field of opera and classical music.<\/p>\n<h3 style=\"text-align: justify;\">CarlesBorr\u00e0s<\/h3>\n<p style=\"text-align: justify;\">Trained as a technician in the Spectacle Technology School of Barcelona (TTE). After working in film, events, concerts and television, he focuses his work on the world of performing arts. He started with the Vol-Ras company, and began to work as a technician at the Teatre Nacional de Catalunya. He has worked for different companies in both text theater and dance, with directors such as Jerome Savary, Josep Ma Flotats, Joan Oll\u00e9, Mart\u00ed Torres, Alex Oll\u00e9, Miquel Gorriz, Alfredo Sanzol, Pau Mir\u00f3, Silvia Munt, SergiBelbel, Cesc Gelabert, Alvaro de la Pe\u00f1a, In\u00e9s Boza, Agn\u00e8s Mateus and Quim Tarrida. He is currently in charge of the technical coordination of La Caldera Centre de Creaci\u00f3.<\/p>\n<h3 style=\"text-align: justify;\">Sergio Roca<\/h3>\n<p style=\"text-align: justify;\">Trained as a technical director of audiovisual and shows at the School of Audiovisual Media (EMAV, Barcelona). He also obtained his studies as a Lighting Technician and Sound Technician at the Spectacle Technology School (TTE). He has worked for companies such as Una del mucho, Agrupaci\u00f3n Se\u00f1or Serrano, PereFaura, Roser L\u00f3pez Espinosa, LaPerla29, Animal Religion, N\u00fariaGuiu, Pep Tosar, Raquel Klein, LaiaSantanach, Eul\u00e0lia Bergad\u00e0, Pau Aran or El Pollo Campero. He is currently in charge of the technical coordination of l&#8217;AnticTeatre.<\/p>\n<h3 style=\"text-align: justify;\">Marta Sol De La Vila<\/h3>\n<p style=\"text-align: justify;\">Alsoknown as Sol de la Villa, she is a fashion designer. Trained in renowned firms in New York and London, her wardrobes include collaborations with the Vaikonur company and her latest work with the Silvia Batet dance company.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Spain OBLIVION is a word that implies &#8220;to be forgotten&#8221;, but that can also be related to the idea of amnesty or forgiveness; it is a place of transformation between mourning and emptiness, between nothingness and memory. Based in a dreamlike world made of fantasy and surrealism, OBLIVION could be an image of afterlife, such [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":18860,"comment_status":"closed","ping_status":"closed","template":"","tags":[250],"mec_category":[222],"class_list":["post-18853","mec-events","type-mec-events","status-publish","has-post-thumbnail","hentry","tag-contemporary-dance","mec_category-events"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>OBLIVION - Silvia Batet Dance Company - Akropoditi Dancefest<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/akropoditi.com\/dancefest\/en\/events\/oblivion-silvia-batet-dance-company-2\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"OBLIVION - Silvia Batet Dance Company - Akropoditi Dancefest\" \/>\n<meta property=\"og:description\" content=\"Spain OBLIVION is a word that implies &#8220;to be forgotten&#8221;, but that can also be related to the idea of amnesty or forgiveness; it is a place of transformation between mourning and emptiness, between nothingness and memory. 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