{"id":18650,"date":"2024-03-21T09:41:11","date_gmt":"2024-03-21T07:41:11","guid":{"rendered":"https:\/\/akropoditi.com\/dancefest\/?post_type=mec-events&#038;p=18650"},"modified":"2023-03-26T23:01:18","modified_gmt":"2023-03-26T20:01:18","slug":"leaning-to-the-unknown-konstantinos-gerardos","status":"publish","type":"mec-events","link":"https:\/\/akropoditi.com\/dancefest\/en\/events\/leaning-to-the-unknown-konstantinos-gerardos\/","title":{"rendered":"Leaning to the unknown &#8211; Konstantinos Gerardos"},"content":{"rendered":"<p><strong>Contact Improvisation<br \/>\n<\/strong>KEY WORDS: CI \u2013 SKILLS &#8211; IMPROVISATION<\/p>\n<p style=\"text-align: justify;\">There are many reasons to improvise: warming up, creating specific movement for choreography, bonding groups of people together, exploring new movement qualities, achieving a particular somatic state, creating a performance. In this intensive, we will attend to the use of improvisation as material to enrich our contact improvisation skills and improve the quality of touch and movement in contact with another dancer.<br \/>\nDuring our work together, we will zoom into the tangible body and its physiology, skin, soft tissue, muscles, and bones to inspire our dance. Working solo and in contact we will clarify their role in our personal way of moving and in contact improvisation. Isometric positions will clarify the use of our muscles and playing with the soft tissue of our bodies solo and in contact will enrich the sensitivity of our perception through the skin. We will study the architecture, function, and movement qualities of specific body parts like the spine, the hip joints, the torso, the pelvis, or the extremities to improve our skills when we are in contact with our partner. Exploring different ways of rolling, sliding, on or off the floor and using the floor as well as a partner to support our travelling through space will bring light and clarify our relationship with space, time, and gravity.<br \/>\nStarting from the known we will find the tracks to the unknown, starting from the familiar and the reliable we will travel to the unanticipated and the unpredictable. Starting from our own bodies (solo) we will investigate the elements of improvisation that will help us to improve our improvisational awareness, the ability of listening, not only to our own body but also our partner&#8217;s body and to experience a dance that is born from our mutual surrendering to each other using improvisation as a tool.<\/p>\n<p><strong>Level:<\/strong> Open<br \/>\n<strong>Ages:<\/strong> All<\/p>\n\n\t\t\t<!-- START Leaning to the unknown REVOLUTION SLIDER 6.7.25 --><p class=\"rs-p-wp-fix\"><\/p>\n\t\t\t<rs-module-wrap id=\"rev_slider_47_1_wrapper\" data-source=\"gallery\" style=\"visibility:hidden;background:transparent;padding:0;margin:0px auto;margin-top:0;margin-bottom:0;max-width:750px;\">\n\t\t\t\t<rs-module id=\"rev_slider_47_1\" style=\"\" data-version=\"6.7.25\">\n\t\t\t\t\t<rs-slides style=\"overflow: hidden; position: absolute;\">\n\t\t\t\t\t\t<rs-slide style=\"position: absolute;\" data-key=\"rs-199\" data-title=\"Slide\" data-thumb=\"\/\/akropoditi.com\/dancefest\/wp-content\/uploads\/2023\/03\/gerardos3-100x50.jpg\" data-anim=\"adpr:false;\" data-in=\"o:0;\" data-out=\"a:false;\">\n\t\t\t\t\t\t\t<img decoding=\"async\" src=\"\/\/akropoditi.com\/dancefest\/wp-content\/plugins\/revslider\/sr6\/assets\/assets\/dummy.png\" alt=\"\" title=\"gerardos3\" width=\"1500\" height=\"844\" class=\"rev-slidebg tp-rs-img rs-lazyload\" data-lazyload=\"\/\/akropoditi.com\/dancefest\/wp-content\/uploads\/2023\/03\/gerardos3.jpg\" data-no-retina>\n<!---->\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t<rs-slide style=\"position: absolute;\" data-key=\"rs-200\" data-title=\"Slide\" data-thumb=\"\/\/akropoditi.com\/dancefest\/wp-content\/uploads\/2023\/03\/gerardos1-100x50.jpg\" data-anim=\"adpr:false;\" data-in=\"o:0;\" data-out=\"a:false;\">\n\t\t\t\t\t\t\t<img decoding=\"async\" src=\"\/\/akropoditi.com\/dancefest\/wp-content\/plugins\/revslider\/sr6\/assets\/assets\/dummy.png\" alt=\"\" title=\"gerardos1\" width=\"1500\" height=\"844\" class=\"rev-slidebg tp-rs-img rs-lazyload\" data-lazyload=\"\/\/akropoditi.com\/dancefest\/wp-content\/uploads\/2023\/03\/gerardos1.jpg\" data-no-retina>\n<!---->\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t<rs-slide style=\"position: absolute;\" data-key=\"rs-201\" data-title=\"Slide\" data-thumb=\"\/\/akropoditi.com\/dancefest\/wp-content\/uploads\/2023\/03\/gerardos-1-100x50.jpg\" data-anim=\"adpr:false;\" data-in=\"o:0;\" data-out=\"a:false;\">\n\t\t\t\t\t\t\t<img decoding=\"async\" src=\"\/\/akropoditi.com\/dancefest\/wp-content\/plugins\/revslider\/sr6\/assets\/assets\/dummy.png\" alt=\"\" title=\"gerardos\" width=\"1500\" height=\"844\" class=\"rev-slidebg tp-rs-img rs-lazyload\" data-lazyload=\"\/\/akropoditi.com\/dancefest\/wp-content\/uploads\/2023\/03\/gerardos-1.jpg\" data-no-retina>\n<!---->\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t\t<rs-slide style=\"position: absolute;\" data-key=\"rs-202\" data-title=\"Slide\" data-thumb=\"\/\/akropoditi.com\/dancefest\/wp-content\/uploads\/2023\/03\/gerardos2-100x50.jpg\" data-anim=\"adpr:false;\" data-in=\"o:0;\" data-out=\"a:false;\">\n\t\t\t\t\t\t\t<img decoding=\"async\" src=\"\/\/akropoditi.com\/dancefest\/wp-content\/plugins\/revslider\/sr6\/assets\/assets\/dummy.png\" alt=\"\" title=\"gerardos2\" width=\"1500\" height=\"844\" class=\"rev-slidebg tp-rs-img rs-lazyload\" data-lazyload=\"\/\/akropoditi.com\/dancefest\/wp-content\/uploads\/2023\/03\/gerardos2.jpg\" data-no-retina>\n<!---->\t\t\t\t\t<\/rs-slide>\n\t\t\t\t\t<\/rs-slides>\n\t\t\t\t<\/rs-module>\n\t\t\t\t<script>\n\t\t\t\t\tsetREVStartSize({c: 'rev_slider_47_1',rl:[1240,1024,778,480],el:[600,768,960,720],gw:[1240,1024,778,480],gh:[600,768,960,720],type:'standard',justify:'',layout:'fullwidth',mh:\"0\"});if (window.RS_MODULES!==undefined && window.RS_MODULES.modules!==undefined && window.RS_MODULES.modules[\"revslider471\"]!==undefined) {window.RS_MODULES.modules[\"revslider471\"].once = false;window.revapi47 = undefined;if (window.RS_MODULES.checkMinimal!==undefined) window.RS_MODULES.checkMinimal()}\n\t\t\t\t<\/script>\n\t\t\t<\/rs-module-wrap>\n\t\t\t<!-- END REVOLUTION SLIDER -->\n\n<p>Photo credit: Loukia Batsi<\/p>\n<h3 style=\"text-align: justify;\">Konstantinos Gerardos<\/h3>\n<p style=\"text-align: justify;\">Konstantinos Gerardos is a dancer teacher, choreographer and the artistic director of VIS MOTRIX DANCE COMPANY, which is based in Thessaloniki\/Greece. He runs VIS MOTRIX PERFORMANCE STUDIO, a space for contemporary dance, performance and theatre in Thessaloniki and he is the creator and educational director of ReDance, an educational program in contemporary dance and performance for actors and dancers.<br \/>\nHe started dancing at the National School of Dance in Athens when he was 11 years old. He continued his studies at the Morianova Professional Dance School and graduated from the Professional Dance School of Stavroupoli in Thessaloniki.<br \/>\nBetween 1989 and 2004 he danced for the Thessaloniki Dance Theatre (National Theatre of Northern Greece). In 2001 he won the 1st prize at the National Awards for Dance for his interpretation as \u2018Bluebeard\u2019 at the performance of the same name, directed by K. Rigos. In 2012 he was invited by the \u2018Machinenoisy Dance Company\u2019 based in Vancouver, Canada to dance at the performance \u2018Romantic Old Horses\u2019 directed by Peter Bingham. His career as a dancer has continued until today.<br \/>\nIn 2001, he founded his own company, \u2018VIS MOTRIX DANCE COMPANY\u2019 based at the Vis Motrix Performance Studio in Thessaloniki and has been creating and directing its performances (In Dreams, Safety Distance, Pessoas, In Between, Nocturne, Void, Dark Matter(s) and others) in Greece and abroad (Great Britain, Germany, Spain). In May 2015 Konstantinos Gerardos directed the performance \u2018TAN\u2019 for the Thessaloniki Dance Theater (National Theatre of Northern Greece). He has also worked as an actor for the \u2018Nees Morfes\u2019 Theatre Company and as a choreographer for theatre and opera and has been subsidized for his work by the Greek Ministry of Culture.<br \/>\nDuring his work as a dancer and choreographer for the past 30 years, Konstantinos Gerardos has also developed a great teaching experience in classical and contemporary dance, improvisation and Contact Improvisation, Partnering, Ensemble Improvisation, composition, choreography and performance in professional dance schools and acting schools. He has taught improvisation and choreography at the Dance and Performance course at the University of Lincoln in England and workshops in contemporary dance and contact improvisation in Spain, Germany, Israel, and Canada. He has collaborated with Chris Aiken, Angie Houser Kirstie Simpson, Nita Little, Ray Chung, Eckhard Muller, Gregor Weber, Thomas Mettler, Yaniv Mintzer and many others.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Contact Improvisation KEY WORDS: CI \u2013 SKILLS &#8211; IMPROVISATION There are many reasons to improvise: warming up, creating specific movement for choreography, bonding groups of people together, exploring new movement qualities, achieving a particular somatic state, creating a performance. In this intensive, we will attend to the use of improvisation as material to enrich our [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":18674,"comment_status":"closed","ping_status":"closed","template":"","tags":[437],"mec_category":[228],"class_list":["post-18650","mec-events","type-mec-events","status-publish","has-post-thumbnail","hentry","tag-contact-improvisation-en","mec_category-workshops"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Leaning to the unknown - Konstantinos Gerardos - Akropoditi Dancefest<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/akropoditi.com\/dancefest\/en\/events\/leaning-to-the-unknown-konstantinos-gerardos\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Leaning to the unknown - Konstantinos Gerardos - Akropoditi Dancefest\" \/>\n<meta property=\"og:description\" content=\"Contact Improvisation KEY WORDS: CI \u2013 SKILLS &#8211; IMPROVISATION There are many reasons to improvise: warming up, creating specific movement for choreography, bonding groups of people together, exploring new movement qualities, achieving a particular somatic state, creating a performance. 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