{"id":15102,"date":"2023-10-18T12:36:41","date_gmt":"2023-10-18T09:36:41","guid":{"rendered":"https:\/\/akropoditi.com\/dancecentre\/?p=15102"},"modified":"2023-11-10T14:06:36","modified_gmt":"2023-11-10T12:06:36","slug":"no-mans-land-songs-of-absence-anoichti-parousiasi-apo-tin-soeine-bac","status":"publish","type":"post","link":"https:\/\/akropoditi.com\/dancecentre\/el\/no-mans-land-songs-of-absence-anoichti-parousiasi-apo-tin-soeine-bac\/","title":{"rendered":"No Man’s Land: Songs of Absence: \u0391\u03bd\u03bf\u03b9\u03c7\u03c4\u03ae \u03c0\u03b1\u03c1\u03bf\u03c5\u03c3\u03af\u03b1\u03c3\u03b7 \u03b1\u03c0\u03cc \u03c4\u03b7\u03bd Soeine Bac"},"content":{"rendered":"

[vc_row][vc_column][vc_row_inner][vc_column_inner width=”7\/12″][vc_column_text el_id=”description-title”]\u039a\u03c5\u03c1\u03b9\u03b1\u03ba\u03ae 05 \u039d\u03bf\u03b5\u03bc\u03b2\u03c1\u03af\u03bf\u03c5 2023, 20:30
\n\u0395\u03af\u03c3\u03bf\u03b4\u03bf\u03c2 \u0395\u03bb\u03b5\u03cd\u03b8\u03b5\u03c1\u03b7\u00a0<\/strong>[\/vc_column_text][\/vc_column_inner][vc_column_inner width=”5\/12″][\/vc_column_inner][\/vc_row_inner]

<\/p><\/blockquote>[vc_column_text]<\/p>\n

\u03a0\u03b5\u03c1\u03b9\u03b3\u03c1\u03b1\u03c6\u03ae \u03c4\u03bf\u03c5 \u03ad\u03c1\u03b3\u03bf\u03c5:\u00a0<\/strong><\/p>\n

The term \u201cno man\u2019s land\u201d became historically significant in the First World War, when it referred to an unoccupied area between opposing armies. Interpreting the phrase \u2018no man\u2019s land\u2019 in a metaphorical sense, I imagine a place where humans stand in their pur-est existence as animals striving to survive.
\n\u2018Songs of Absence\u2019 is the first segment of my performance series ‘No Man\u2019s Land’, which is based on this premise. It is based on the character Lavinia in Shakespeare\u2019s \u2018Titus An-dronicus\u2019. Lavinia is the daughter of Titus, a general in the Roman army who is engaged in a cycle of revenge. \u2018Songs of Absence\u2019 is developed from the scene in which Lavinia has been raped, her tongue and hands were cut off by the assailants, and she is then hung from a dead tree trunk. She is stripped of her most fundamental human abilities to communicate. Yet, as she is physically pared down, her narrative and thematic im-portance escalates.
\nThis seemingly paradoxical power of Lavinia\u2019s silence heightens the sense of hearing. The primordial energy of the silence fills the absence of sound, like that of a wordless animal in no man\u2019s land.<\/p>\n

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<\/i>\u03a0\u03af\u03c3\u03c9<\/span><\/a><\/div>[\/vc_column][\/vc_row][vc_row section_id=”semianario-application”][vc_column][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

No Man’s Land: Songs of Absence: \u0391\u03bd\u03bf\u03b9\u03c7\u03c4\u03ae \u03c0\u03b1\u03c1\u03bf\u03c5\u03c3\u03af\u03b1\u03c3\u03b7 \u03b1\u03c0\u03cc \u03c4\u03b7\u03bd Soeine Bac<\/b>
\n05 \u039d\u03bf\u03b5\u03bc\u03b2\u03c1\u03af\u03bf\u03c5 2023<\/p>\n","protected":false},"author":1,"featured_media":15086,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[348],"tags":[335],"class_list":["post-15102","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ekdiloseis-23","tag-335"],"rttpg_featured_image_url":{"full":["https:\/\/akropoditi.com\/dancecentre\/wp-content\/uploads\/2023\/10\/presentation_1024x691.jpg",1024,691,false],"landscape":["https:\/\/akropoditi.com\/dancecentre\/wp-content\/uploads\/2023\/10\/presentation_1024x691.jpg",1024,691,false],"portraits":["https:\/\/akropoditi.com\/dancecentre\/wp-content\/uploads\/2023\/10\/presentation_1024x691.jpg",1024,691,false],"thumbnail":["https:\/\/akropoditi.com\/dancecentre\/wp-content\/uploads\/2023\/10\/presentation_1024x691-150x150.jpg",150,150,true],"medium":["https:\/\/akropoditi.com\/dancecentre\/wp-content\/uploads\/2023\/10\/presentation_1024x691-300x202.jpg",300,202,true],"large":["https:\/\/akropoditi.com\/dancecentre\/wp-content\/uploads\/2023\/10\/presentation_1024x691.jpg",1024,691,false],"1536x1536":["https:\/\/akropoditi.com\/dancecentre\/wp-content\/uploads\/2023\/10\/presentation_1024x691.jpg",1024,691,false],"2048x2048":["https:\/\/akropoditi.com\/dancecentre\/wp-content\/uploads\/2023\/10\/presentation_1024x691.jpg",1024,691,false],"blade-grve-large-rect-horizontal":["https:\/\/akropoditi.com\/dancecentre\/wp-content\/uploads\/2023\/10\/presentation_1024x691-1024x658.jpg",1024,658,true],"blade-grve-small-square":["https:\/\/akropoditi.com\/dancecentre\/wp-content\/uploads\/2023\/10\/presentation_1024x691-600x600.jpg",600,600,true],"blade-grve-small-rect-horizontal":["https:\/\/akropoditi.com\/dancecentre\/wp-content\/uploads\/2023\/10\/presentation_1024x691-800x600.jpg",800,600,true],"blade-grve-small-rect-horizontal-wide":["https:\/\/akropoditi.com\/dancecentre\/wp-content\/uploads\/2023\/10\/presentation_1024x691-800x450.jpg",800,450,true],"blade-grve-small-rect-vertical":["https:\/\/akropoditi.com\/dancecentre\/wp-content\/uploads\/2023\/10\/presentation_1024x691-600x691.jpg",600,691,true],"blade-grve-medium-rect-vertical":["https:\/\/akropoditi.com\/dancecentre\/wp-content\/uploads\/2023\/10\/presentation_1024x691-560x691.jpg",560,691,true],"blade-grve-medium-square":["https:\/\/akropoditi.com\/dancecentre\/wp-content\/uploads\/2023\/10\/presentation_1024x691.jpg",1024,691,false],"blade-grve-fullscreen":["https:\/\/akropoditi.com\/dancecentre\/wp-content\/uploads\/2023\/10\/presentation_1024x691.jpg",1024,691,false]},"rttpg_author":{"display_name":"dancecenter","author_link":"https:\/\/akropoditi.com\/dancecentre\/author\/dancecenter\/"},"rttpg_comment":0,"rttpg_category":"\u0395\u03ba\u03b4\u03b7\u03bb\u03ce\u03c3\u03b5\u03b9\u03c2 23<\/a>","rttpg_excerpt":"No Man's Land: Songs of Absence: \u0391\u03bd\u03bf\u03b9\u03c7\u03c4\u03ae \u03c0\u03b1\u03c1\u03bf\u03c5\u03c3\u03af\u03b1\u03c3\u03b7 \u03b1\u03c0\u03cc \u03c4\u03b7\u03bd Soeine Bac 05 \u039d\u03bf\u03b5\u03bc\u03b2\u03c1\u03af\u03bf\u03c5 2023","_links":{"self":[{"href":"https:\/\/akropoditi.com\/dancecentre\/wp-json\/wp\/v2\/posts\/15102","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/akropoditi.com\/dancecentre\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/akropoditi.com\/dancecentre\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/akropoditi.com\/dancecentre\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/akropoditi.com\/dancecentre\/wp-json\/wp\/v2\/comments?post=15102"}],"version-history":[{"count":1,"href":"https:\/\/akropoditi.com\/dancecentre\/wp-json\/wp\/v2\/posts\/15102\/revisions"}],"predecessor-version":[{"id":15103,"href":"https:\/\/akropoditi.com\/dancecentre\/wp-json\/wp\/v2\/posts\/15102\/revisions\/15103"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/akropoditi.com\/dancecentre\/wp-json\/wp\/v2\/media\/15086"}],"wp:attachment":[{"href":"https:\/\/akropoditi.com\/dancecentre\/wp-json\/wp\/v2\/media?parent=15102"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/akropoditi.com\/dancecentre\/wp-json\/wp\/v2\/categories?post=15102"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/akropoditi.com\/dancecentre\/wp-json\/wp\/v2\/tags?post=15102"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}