{"id":12931,"date":"2020-04-14T18:29:57","date_gmt":"2020-04-14T18:29:57","guid":{"rendered":"https:\/\/akropoditi.com\/dancecentre\/?p=12931"},"modified":"2020-05-03T15:00:55","modified_gmt":"2020-05-03T15:00:55","slug":"konstandinos-katsmakis-francesca-pedulla-lorenzo-gasperoni","status":"publish","type":"post","link":"https:\/\/akropoditi.com\/dancecentre\/en\/konstandinos-katsmakis-francesca-pedulla-lorenzo-gasperoni\/","title":{"rendered":"Konstandinos Katsmakis, Francesca Pedull\u00e0 & Lorenzo Gasperoni"},"content":{"rendered":"

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03\/08\/2018 – 10\/08\/2018<\/h4>\n

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<\/i>Back<\/span><\/a><\/div>[\/vc_column_inner][\/vc_row_inner]

Music and Performing Arts
\nTitle of the project: “POLYRHYTMIA”
\nItaly \u2013 Greece<\/p><\/blockquote>[vc_column_text]<\/p>\n

POLYRITMIA<\/strong>
\nOpen rehearsal after the first week of residency
\nAn inquiry into the dialogue between music and the moving body<\/p>\n

Ideation: Francesca Pedull\u00e0 and Lorenzo Gasperoni
\nChoreography: Francesca Pedull\u00e0 and Kostantinos Katsamakis
\nMusic: Lorenzo Gasperoni<\/p>\n

POLYRITMIA springs from the desire to merge the inherent wisdom of tradition and the latest studies in somatic practice, anatomy and biomechanics with traditional percussions and modern techniques of electronic music, in the belief that ancient and current performative practices can communicate with and enrich each other.
\nMusic, auditory by nature, is heard and can exist in itself.
\nIn concert with dancers, music becomes integrated with the visible. It can counteract internal
\nsensations or vibrate with them, negating or enhancing their effect. It can mirror physical movements more or less explicitly. Together, music and movement create a metamorphic language, which becomes an element in the relationship, assuming the role of third performer. The apparent tension or conflict between analogue and digital music opens prospects and horizons.<\/p>\n

Lorenzo Gasperoni<\/strong>
\nHe\u00a0is graduated in 1989 in classical percussion in Conservatorio di Verona and Civica Scuola di Musica in Milan. The same year following his inclination towards being an \u201ceternal student\u201d, he started his trips to discover the ethnical rhythms, going several times to Guinea, Mali, Burkina Faso, Senegal, Benin, Southern India, Morocco, and to Cuba. Now Lorenzo is a well known composer and percussionist actually performing with several band such as Mamud Band, La Frontera, Artchipel Orchestra all over Europe. During his career he wrote music for important dance- theater shows. Fundamental aspect of his research is the relation with dance, to find a way to talk and play the same language of the body in movement.\u00a0Lorenzo has been playing with prestigious world-renowned musician and dancer such as Lester Bowie, Fred Wesley, Brian Auger, Paco Sery,\u00a0Famoudou Konate,\u00a0Herns Duplan, Frey Faust, Mama Adama Camara, Francesca Pedull\u00e0
\nMore on:\u00a0<\/u>http:\/\/www.lorenzogasperoni.it\/<\/a><\/p>\n

Francesca Pedull\u00e0<\/strong>
\nDance artist, independent researcher and curator, dance teacher . She holds a masters in History of Theatre and Performing Arts, a diploma\u00a0as professor of African Dance Expression – FEIDA\u00a0Bordeaux. She is certified to teach the Axis Syllabus.\u00a0Since 1998 she spends several months a year living in Benin, who’s culture has been a profound influence.
\nAs choreographer and artistic director she develops artistic works and cultural cooperation projects both in Europe and Benin (West Africa). From 2008 to 2012 she\u00a0 co-curated\u00a0 together with Eric Acakpo the intercultural \/ international project\u00a0Dialogues In\u00e9vitables<\/em>\u00a0\u00a0 Since 2011 she is the artistic director of TRACES \u2013 \u00a0 produced by the Association Sonagnon and the\u00a0 Axis Syllabus Research Community in collaboration with the Centre Chor\u00e9ographique Multicorps. Since 2014\u00a0 she curates in Berlin together with Kira Kirsch, the dance festival\u00a0Sensing in, i<\/em>n the same year she initiated together with Elisa Ricci the\u00a0modular project\u00a0On how we see – Questioning the curatorial gaze<\/em>.
\nHer latest choreographies were presented at Insitute Fran\u00e7ais de Cotonou, FITHEB (Benin), Teatro della Tosse (Genova), Teatro dell’Archivolto,\u00a0 Teatro Akropolis, Hangart Festival (Italy), TroisC L (Luxembourg), Centre Culturel Cit\u00e9 Culture (Brussels),\u00a0 festival the Biennale Passage 012 Bielefeld, TFK Berlin , Haus of the Berliner Festspiele (Germany) among others.
\nCurrently based in Berlin, she choreographs, performs and teaches throughout Europe, Israel, Brazil the USA, Canada and Benin.
\nwww.francescapedulla.org<\/a><\/p>\n

Konstantinos Katsamakis<\/strong>
\nKonstantinos Katsamakis studied dance in the Professional Dance School of Thessaloniki municipality and acquired a dance teacher\u2019s degree from the Greek Ministry of Culture.
\nSince 2006 he teaches contemporary dance and improvisation to adults, as well as kinesiology and choreography to actors.
\nIn 2012 he co-created KINOYME dance studio, where he works, teaching and choreographing for kids and adults.
\nAs a dancer, he has worked with the companies OKTANA dancetheater, xsoma, L Reducta, National Theater of Northern Greece danctheater, Persa Stamatopoulou, technientos, Silvia Katsarou, balletan, inertia dancetheater etc. Also, with the artists Lilibeth Cuenca, Christodoulos Panagiotou and Rania Mpellou in videodances and live performances. He has worked as a dancer, choreographer and movement consulter in theater productions for the National Theater of Northern Greece, experimental stage of \u2018Techni\u2019, Akropol theater and Papalangi theater company, with directors Ersi Vasilikioti, Sotiris Hatzakis, Tasos Aggelopoulos, Nikolas Raptis, Efi Gousi etc.
\nThe past six years, he also collaborates with Gestalt psychotherapists, in psychotherapy and movement workshops.<\/p>\n

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03\/08\/2018 – 10\/08\/2018<\/b>
\nMusic and Performing Arts
\nTitle of the project: “POLYRHYTMIA”
\nItaly \u2013 Greece<\/p>\n","protected":false},"author":1,"featured_media":12726,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[181],"tags":[133],"class_list":["post-12931","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-residencies-en","tag-2018-en"],"rttpg_featured_image_url":{"full":["https:\/\/akropoditi.com\/dancecentre\/wp-content\/uploads\/2020\/03\/web_7337.png",996,797,false],"landscape":["https:\/\/akropoditi.com\/dancecentre\/wp-content\/uploads\/2020\/03\/web_7337.png",996,797,false],"portraits":["https:\/\/akropoditi.com\/dancecentre\/wp-content\/uploads\/2020\/03\/web_7337.png",996,797,false],"thumbnail":["https:\/\/akropoditi.com\/dancecentre\/wp-content\/uploads\/2020\/03\/web_7337-150x150.png",150,150,true],"medium":["https:\/\/akropoditi.com\/dancecentre\/wp-content\/uploads\/2020\/03\/web_7337-300x240.png",300,240,true],"large":["https:\/\/akropoditi.com\/dancecentre\/wp-content\/uploads\/2020\/03\/web_7337.png",996,797,false],"1536x1536":["https:\/\/akropoditi.com\/dancecentre\/wp-content\/uploads\/2020\/03\/web_7337.png",996,797,false],"2048x2048":["https:\/\/akropoditi.com\/dancecentre\/wp-content\/uploads\/2020\/03\/web_7337.png",996,797,false],"blade-grve-large-rect-horizontal":["https:\/\/akropoditi.com\/dancecentre\/wp-content\/uploads\/2020\/03\/web_7337-996x658.png",996,658,true],"blade-grve-small-square":["https:\/\/akropoditi.com\/dancecentre\/wp-content\/uploads\/2020\/03\/web_7337-600x600.png",600,600,true],"blade-grve-small-rect-horizontal":["https:\/\/akropoditi.com\/dancecentre\/wp-content\/uploads\/2020\/03\/web_7337-800x600.png",800,600,true],"blade-grve-small-rect-horizontal-wide":["https:\/\/akropoditi.com\/dancecentre\/wp-content\/uploads\/2020\/03\/web_7337-800x450.png",800,450,true],"blade-grve-small-rect-vertical":["https:\/\/akropoditi.com\/dancecentre\/wp-content\/uploads\/2020\/03\/web_7337-600x797.png",600,797,true],"blade-grve-medium-rect-vertical":["https:\/\/akropoditi.com\/dancecentre\/wp-content\/uploads\/2020\/03\/web_7337-560x797.png",560,797,true],"blade-grve-medium-square":["https:\/\/akropoditi.com\/dancecentre\/wp-content\/uploads\/2020\/03\/web_7337.png",996,797,false],"blade-grve-fullscreen":["https:\/\/akropoditi.com\/dancecentre\/wp-content\/uploads\/2020\/03\/web_7337.png",996,797,false]},"rttpg_author":{"display_name":"dancecenter","author_link":"https:\/\/akropoditi.com\/dancecentre\/author\/dancecenter\/"},"rttpg_comment":0,"rttpg_category":"residencies en<\/a>","rttpg_excerpt":"03\/08\/2018 - 10\/08\/2018 Music and Performing Arts Title of the project: \"POLYRHYTMIA\" Italy \u2013 Greece","_links":{"self":[{"href":"https:\/\/akropoditi.com\/dancecentre\/wp-json\/wp\/v2\/posts\/12931","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/akropoditi.com\/dancecentre\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/akropoditi.com\/dancecentre\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/akropoditi.com\/dancecentre\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/akropoditi.com\/dancecentre\/wp-json\/wp\/v2\/comments?post=12931"}],"version-history":[{"count":0,"href":"https:\/\/akropoditi.com\/dancecentre\/wp-json\/wp\/v2\/posts\/12931\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/akropoditi.com\/dancecentre\/wp-json\/wp\/v2\/media\/12726"}],"wp:attachment":[{"href":"https:\/\/akropoditi.com\/dancecentre\/wp-json\/wp\/v2\/media?parent=12931"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/akropoditi.com\/dancecentre\/wp-json\/wp\/v2\/categories?post=12931"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/akropoditi.com\/dancecentre\/wp-json\/wp\/v2\/tags?post=12931"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}